Cinemat closes July with a second session of Ojos Abiertos Films and short films

Cinemat closes July with a second session of Ojos Abiertos Films and short films

Ojos Abiertos Films has participated with its second session of short films of the Ciclo CINEMAT of screenings and coordinated by the Gabinete de Hyde en la Caja Blanca of the Área de Juventud del Ayuntamiento de Málaga. The second day, held on Thursday 22nd July, has included a new selection of short films: Plata directed by Carmen Águila, Te quiero madre by director Charo Anaya, El Pentágono directed by Thomas Barrera, and La muerte en un bolsillo by director Enrique García. Likewise, on Thursday 29th July, this exhibition has concluded with the day directed by Cortos de Metraje. The…
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Ojos Abiertos Films participates with a short film exhibition at Cinemat

Ojos Abiertos Films participates with a short film exhibition at Cinemat

Ojos Abiertos Films has collaborated in the first short film capsule of the CINEMAT cycle of screenings within the CONFInARTE exhibition organised by the Gabinete de Hyde in the Caja Blanca of the Youth Department of the Málaga City Council. The first day, which took place on Thursday 8th July, saw the selection of the following films and the presence of representatives from each of them: La anciana told by its director Sara Avilés, La pareja directed by Marta Cora Castro, El trabajo with actress Monti Casquel and Watani by director Joan Paüls. The session was very well received, reaching…
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Ojos Abiertos Films begins the distribution of the short film “Te quiero madre”, directed by Charo Anaya and starring María Galiana and Adriana Ozores.

Ojos Abiertos Films begins the distribution of the short film “Te quiero madre”, directed by Charo Anaya and starring María Galiana and Adriana Ozores.

Te quiero madre is a short film about gender abuse as seen through the eyes of children directed by the Sevillian film director Charo Anaya, produced by Anaya Films and starring María Galiana, Adriana Ozores, Inés López and Sergio Coy.Te quiero madre delves into the limits of children's endurance of such events with a passionate and emotional message. Charo Anaya poses the following reflection: We always talk about who mistreats or is mistreated, but what about the children, where do they fit in?
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